PART
1: Low Stakes Writing to Produce Better Performance on Tests
Each of the
questions below is linked to its response.
1.
What are the
differences between High Stakes and Low Stakes writing?
2.
Why spend class
time having your students write?
3.
How should you
respond to Low Stakes writing?
4.
What kinds of Low
Stakes writing improve student performance on tests?
5.
Why do students
write poorly on tests?
6.
What are some
signs that students are writing poorly because of a failure to grasp
the material?
7.
Where can you
read more about using Low Stakes writing in class?
8.
Where can your
students—and you—get online help with writing?
INTRODUCTION: WAC and WTL
PART 2:
Low
Stakes Writing to Produce Better Research Papers
1. WHAT ARE THE DIFFERENCES BETWEEN HIGH AND LOW STAKES WRITING?
High Stakes Writing
is Writing to Demonstrate Learning:
This is the kind of
writing most of us think of as “college writing.”
• Its object is to
allow the student to show you what she knows.
• It is expected to
follow the conventions of formal academic prose and may be expected to
follow additional conventions that are specific to your discipline.
• It can be written
in or out of class.
• It is expected to
be error free when written outside of class.
• It consists of
essay tests, out of class essays, research papers and projects, book
reports, lab reports, analyses of case studies etc.
• It is graded.
Low Stakes Writing
is Writing to Learn:
This is the kind of writing I’m arguing for.
•
Its object is to simulate thought, generate ideas and connections, keep
students engaged and thinking during class, and/or give us information
about our students.
• It is usually
short and informal.
• It can be written
in or out of class.
• It can consist of
myriad tasks from one-word responses to short essays.
• Although it is
messy, it is never corrected.
• Although you may
give credit for it, it is never graded.
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2. WHY SPEND
TIME IN CLASS HAVING YOUR STUDENTS WRITE?
•
Low stakes
writing improves high stakes writing. That is, writing in class—to
learn—produces better writing on papers and essay exams and can even
produce better scores on objective tests.
•
It improves
the climate in the classroom by making students active participants
in the class.
•
Low stakes
writing improves discussion by making it likely that everyone has
something to say—because they will have something written down.
• It can ease
student anxiety about writing in general and about writing for you
specifically.
•
Low stakes
writing lets you spot misunderstandings that are epidemic in a class;
it also lets you identify specific students who are having trouble. You
can spot these problems before—not after—the first exam or paper.
•
Low stakes
writing is excellent practice for taking essay tests. It can address
the gap between material a student thinks he knows and the ability to
communicate it to someone else. (This gap is usually the product of the
study technique students refer to as “going over” the material without
any attempt to engage with it.)
•
It is a way
for your students to practice a specific skill or kind of thinking
important in your discipline.
•
Low stakes
writing gives you practical information about what your students know
and don’t know. You can use short, painless low stakes tasks to
demonstrate that they did the reading, that they understood the reading,
that they understand what you’ve been talking about for the last 15
minutes, that they are having difficulty understanding an idea, term,
principle, etc.
• Low stakes
writing is a way to encourage and give credit for reading before class
and taking notes during class. This is a way to give shy students a
chance for credit for reading and thinking about the material. It can
also be used to encourage taking notes in class and while they read by
allowing the use of those notes on in-class writing such as quizzes.
• It gives
students a risk-free environment in which to try out new ideas, take
creative risks, or ask questions they are too shy to ask out loud.
• Finally, low
stakes writing can give you a chance to get to know your students better.
You can design tasks that encourage students to share past experiences
with classes like this one or that allow them to express their anxiety
over—or pleasure at doing—this kind of work.
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3. HOW SHOULD
YOU RESPOND TO LOW STAKES WRITING?
“Students learn more from writing than
from our responses to their writing.”
--Peter Elbow
I’m addressing responding to the writing
before I address the writing itself because, having given writing
workshops for years, I know that this is the number one issue.
Rule #1: In Low
Stakes writing, correctness is never an issue.
Read for the thoughts expressed, not for correctness. Don’t correct
spelling, grammar, punctuation, or even your pet grammar peeve. As
students have more thoughts, they will get better at expressing them.
Rule #1A: Don’t
assume that poor writing means poor writing skills.
Writing that does
not communicate should be seen first as reflecting the student’s problem
with understanding the material or understanding your directions. Even
excellent writers will write poorly when they don’t really know what
they’re talking about.
Rule #2: There are
levels of response to Low Stakes writing.
Not every piece of
writing should be handled the same way. You should never assume that all
writing has to be corrected, evaluated or even responded to. You can
respond in many ways:
•
Response A: No
Response
Students can produce private writing for your course. This can be done
as a journal or in class. Give credit for everyone in class that day or
simply count the pages filled in a journal.
Advantages of
allowing some writing to remain private
-- It gives students
a safe place to learn fluency (i.e. the ability to write enough)
-- It gives practice
at putting words on paper in a manner that can become as natural as
speaking.
-- It gives students
practice in carrying on a dialogue with themselves, at asking and
answering their own questions.
-- It leads students
to take more risks and thus to discover new lines of thought.
-- Adolescents,
older returning students, and students from other than the dominant
culture find it good to have a space where they can express themselves
without thinking about what is acceptable or obsessing about
correctness.
• Response B:
Peer Feedback Put students in pairs or in groups of three or four.
They can read each other’s work and respond verbally in class, read and
respond at home, or read and respond online.
Students need a
little guidance with this. Move slowly. Start with no feedback,
with one student reading aloud to the other without comment. Move to “tell
back,” where one student reads aloud and the other retells what he
or she heard. Then go to positive feedback, where the listener
responds with one or two things that were good. Finally, mix positive
and constructive feedback. Ask students to “suggest one way to
improve the essay” rather than “find a mistake.” And instruct students
to always balance one constructive point with one positive point.
• Response C:
Teacher comments This is what most of us think of when we think of
responding to student writing. It’s this response that leads us to Rule
#3.
Rule #3: Keep your
response to low stakes writing simple and similar.
After you experiment
with different kinds of responses, be as consistent as possible in your
feedback mode.
Some ways to
respond:
•
Give check marks: √,
√+ and √-
• Create an “up or
down” response: Acceptable/Unacceptable, Pass/Fail,
Satisfactory/Unsatisfactory, Enough information/Insufficient information
• Give points. Some
assignments get points just for getting done. (You can even give points
without reading what they wrote.)
• Create a simple
rubric:
S
U
Content
_____ _____
Clarity
_____ _____
• Underline only,
using a straight line for a sentence (or part thereof) that is clear and
a squiggly line for one that is unclear. (This is Peter Elbow’s
suggestion.)
• Ask a single
question that will guide their next writing. (“Which point is most
important?” “How does this fit with yesterday’s discussion?”)
• Write a single
sentence. (“I can see your point.” “I disagree, but your argument is
good.”)
• Respond with
“Thanks.”
• Before you read
their responses, have students exchange writings and respond to each
other verbally or in writing, in pairs or in groups of three or four.
Then add a single sentence of teacher response. (“I agree with
Tom.” “I like it when you guys disagree because it shows you’re
thinking.” “You got some good advice.”)
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4. WHAT KINDS OF LOW STAKES WRITING TASKS IMPROVE STUDENT PERFORMANCE
ON TESTS?
A Good Word For
Objective Test Items:
If you struggle with
determining whether a student’s poor essay is a result of inadequate
writing skills or inadequate knowledge, try having some objective
questions on the test, too. A student who is a whiz at the objective
questions but does poorly on the writing may, indeed, need help with
writing. But if students do poorly on both, you have more evidence that
they just didn’t know the material.
Low Stakes Writing
To Improve Performance on Objective Tests:
• Give them a
single multiple choice question and ask them to write 1 or 2 sentences
about why each response (a-d) is either correct or incorrect. This works
best if you allow a few minutes for students to talk with each other
about their responses.
• Do the same with
a true/false item, asking for a brief explanation.
• Ask them to
define a term using complete sentences and giving an example that
demonstrates their understanding.
• Use test items
from old exams to give students a preview of your testing style.
Low Stakes Writing
to Improve Performance on Essay Tests:
Although you can
have students read each other’s responses to this kind of writing, it is
more helpful if you give the student some idea of how their response
would have done on an actual test.
•
Give students a real
essay question from an old exam and 3 or 4 answers to it. (You can
collect these or write them yourself.) Ask them to rank the responses
from best to worst, explaining the ranking in a few sentences. Give them
time in class to talk with each other about their responses. Explain how
you would rank them and why. This can be done as a group exercise in
class, an individual exercise at home, or posted on your web page for
the course.
• Give them a test
question and about the same amount of time to write an answer as they
would have on a test. (Or give them a shortened question and shortened
length of time.)
• Ask them to
write a full sentence definition of a term, then use it in a meaningful
sentence or two that establishes an appropriate context. For example:
Definition: Manifestation means
demonstration. (Sounds good. The student seems to know the word.)
Sentence: The angry
voters held a manifestation on the mall in Washington. (Uh-oh.)
Sentence: The picket
line was a manifestation. (This sentence still doesn’t prove that the
student knows the word’s meaning and use.)
Sentence: The picket
line was a manifestation of the workers’ frustration.
• Use a short
in-class writing to teach them how to do comparison and contrast. They
frequently produce an explanation of A followed by an explanation of B
without articulating how they are alike or different. Teach them to
specify how A is like B, how A is unlike B, and that they have to do
both steps to get full credit on your test.
• If they will
have to explain steps in a process, ask them to explain a simple
process, related or unrelated to the class. Sometimes trying to explain
how to brush your teeth can point out the kind of clarity a process
explanation has to have.
• Divide the class
into as many groups as there are steps in the process, and assign the
explanation of one step to each group.
• Provide the
answer and ask them to write the question.
• Ask them
to write test questions. This works best in pairs or small groups. If
you use one of their questions on the exam, you both validate the
exercise and teach them to do this for themselves when they study.
• Use post-test
writing to help them reflect on their performance and to give you
feedback about how they prepared. The aim is to make them aware of their
own study habits and change them if they are unproductive. This kind of
writing can be largely objective and anonymous. (Give 5 or 10 points to
everyone in class that day.)
Possible
questions for a post-test survey:
How much of the
reading did you do?
How much time did
you spend studying?
Do you take notes in class?
Do you take notes
while you read?
Do you mark your
book when you read?
Do you mark passages
in your book that the teacher refers to in class?
Please write a
paragraph explaining how you studied.
What grade did you
receive?
What grade did you
expect?
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5. WHY
DO STUDENTS WRITE POORLY ON TESTS?
When students do
poorly on an objective test, we assume that they didn’t know the
material very well. But when they do poorly on a written exam or a
paper, we question whether the real problem was with their writing
ability rather than their facility with the material. This is often a
red herring.
Some of the most common reasons students
don’t do well on an exam:
• They didn’t
study the material enough or in the right way. Some students
simply don’t spend enough time studying. But some students who do poorly
have spent hours and hours preparing for your test. However, if you ask
them how they prepared, you’re most likely to hear “I went over my
notes.” In other words, they did a passive reading (scanning?) of notes
that may be of poor quality to begin with. This leaves them recognizing
terms but unable to define them and remembering examples without
remembering what they exemplify. These students frequently write in
sentence fragments, not because they don’t know how to write in whole
sentences, but because they don’t have whole thoughts to express.
•
Even if they studied well, they didn’t try to put what they know into
their own words before they sat down to take the test. Thus, they’ve fooled
themselves into thinking they know more than they do. Manipulating class
and reading notes (making lists, isolating vocabulary words, rewording
steps in a process) is a study technique common to high performers and
foreign to poor ones.
•
They don’t
know how to structure an essay response. They don’t really
understand what it means to “compare and contrast,” “categorize,” or
“define.” These are issues ideal for addressing with in-class,
low-stakes writing. Give them 10 minutes in class to write a shortened
version of one of these kinds of questions. Respond to them in terms of
how they dealt with the organizational pattern, not the correctness of
the information. (Or respond to the organization in a separate category
from accuracy.) Even if you don’t have your students do low stakes
writing before high stakes writing is required, explain what you mean
when you instruct them to “compare and contrast” or “define.” Tell them
how to structure a response to that prompt. It is especially helpful if
you can show them examples.
•
They don’t
know how much to write. Most of us write the test questions on a
single sheet of paper and hand out blue books. To help students solve
the knotty puzzle of how much to write, give them a test that they write
on. Provide more or less enough space for each question and the
reassurance that it’s okay if they write on the back so that those with
big handwriting have enough room. If you find this too much trouble for
every test, just do it for the first one so that they understand what
you mean by “short answer” as opposed to “essay.”
•
They manage
their time poorly. Students will spend two thirds of the time on the
first question and not have enough time for the second. Reminding them
of the time during the test an be helpful. If you expect them to answer
three questions, tell them when a third of the time has passed and when
a third remains. Sometimes students will spend way too much effort
answering 5-point identifications and get jammed on the 50-point essay.
I found that putting the mega-question first on the test helped some
students manage their time better.
•
They
“narrate” instead of analyzing or explaining. They tell what
happened without explaining how or why it happened. Ask them to explain
why Lady Macbeth killed herself and they will relate the entire plot of
the play. You can forestall this in several ways. First, be specific in
your instructions: “Explain the 2 main reasons that Lady Macbeth
committed suicide.” Second, ask for specific support for each point:
“For each reason, supply a minimum of 3 points of support.” You may only
have to be this specific on the first test or two, just until they get
to know how much support you like to see.
•
They perform
an information dump instead of responding to your specific question.
In-class writing can show them how to focus and give them some sense of
how much is enough, as can essay tests that provide space for answers.
But the information dump is usually an indication that the student knows
some of the material but didn’t spend enough time studying how the parts
relate to each other.
•
They misread
your instructions or your questions. Remind them to reread the
question after they’ve written or, even better, at mid-point in their
writing.
•
They
experience test anxiety. Sometimes you can spot this if you spend a
few minutes looking around the room while your students are taking the
test. Sometimes students will self-report this problem. There are a few
things you can do for the anxious student. You can refer them to
counseling, where there are test anxiety workshops every semester. You
can also allow the student to take the test in the Testing Center.
Sometimes just getting out of the classroom eases their anxiety. A third
option has to do with the purpose of your test.
If the only reason
that the test is timed has to do with the length of the class period,
arrange to allow students who need more time to finish their work in
your office or the Testing Center. (If you will be using the Center, be
sure to let them know.) Most teachers have the experience that simply
allowing more time eases the pressure to the extent that not many
students actually need the extra time.
Finally, if the
purpose of your test isn’t to have students demonstrate that they have
memorized a set of facts, consider allowing students to bring a page of
notes to the test. This is a much better alternative than the open book
test. It encourages students to choose what they think is important and
organize it so that the material is retrievable. This is an excellent
study technique. If they can only have a page, they won’t waste time
thumbing through masses of material.
•
They have
learning disabilities. A college student doesn’t have to report a
documented learning disability. Those who do self-report trigger a
correspondence from counseling indicating the accommodations that are
required. If you get this sort of notice, it’s worth your while to talk
with the student. Sometimes students know exactly what they need. For
example, the accommodation “extra time on tests” may not be as helpful
as allowing the student to take the test in the quiet of the Testing
Center.
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6.
WHAT ARE SOME SIGNS THAT STUDENTS ARE WRITING POORLY BECAUSE OF A
FAILURE TO GRASP THE MATERIAL?
• They write in a
lot of fragments, especially those that begin with “how” and “when.”
Sometimes if you have a conference with a student about the test and ask
him or her to answer the question orally, they will sometimes speak in
fragments, too.
• There is a
confusion of information. They use terms you’ve studied, but not in the
right context. They feed back examples you gave in class but don’t
connect them to material that is relevant to your test question.
• Sometimes the
writing sounds like the writer’s first language is not English. If
writing in an out-of-class assignment tends to sound this way, the
student may have a learning disability. The student may also be trying
to “sound intelligent” and as a result uses words that sound good to the
student but aren’t used correctly. If you suspect that the latter is the
case, talk to the student and assure him that it’s fine to write in his
own voice. Believe it or not, that nearly always clears up this problem.
If it doesn’t work, send the student to the Writing Center.
• Their essays
have a stream-of-consciousness quality, meandering from point to point
because they are writing down bits of information as they come to mind.
Note that as
students get more practice at writing—high and low stakes—their thinking
clears up and so does their writing. Practice may not make for
perfection, but it can result in readable prose.
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7. WHERE CAN YOU READ MORE ABOUT USING LOW STAKES WRITING IN CLASS?
Bibliography
Bean, J.C., Drenk,
D. and Lee, F.D. “Microtheme Strategies for Developing Cognitive
Skills.” Teaching Writing in All Disciplines, New Directions for
Teaching and Learning. No. 12, (December, 1982).
Beyer, B. “Using
Writing to Learn in History.” The History Teacher. 23 (February,
1980): 167-179.
Elbow,
Peter. “High Stakes and Low Stakes in Assigning and Responding to
Writing.” New Directions for Teaching & Learning. 69
(Spring97): 5.
Elbow,
Peter. “Ranking, Evaluating, and Liking: Sorting Out Three Forms of
Judgment.” College English. 55. 2 (Feb1993): 187.
Fishman, Stephen M.
“Student Writing in Philosophy: A Sketch of Five Techniques.” In
Writing to Learn: Strategies for Assigning and Responding to Writing
Across the Disciplines, 53-66.
Fulwiler, Toby.
“Writing Back and Forth: Class Letters.” In Writing to Learn:
Strategies for Assigning and Responding to Writing Across the
Disciplines, 15-26.
Garner, R. Michael.
“An Efficient Approach to Writing Across the Curriculum: Microthemes in
Accounting Classes.” Journal of Education for Business. (March
1994) 69,4. 211.
Kneeshaw, Stephen.
“KISSing in the History Classroom: Simple Writing Activities That
Work.” Social Studies. Jul 1992; 83,4. 176.
Moore,
Randy. “Writing to Learn Biology.” Journal of College Science
Teaching. 23. 5. (Mar/Apr94): 289.
Sorcinelli, Mary
Deane and Peter Elbow, eds. “Writing to Learn: Strategies for Assigning
and Responding to Writing Across the Disciplines.” New Directions in
Teaching and Learning, No. 69. San Francisco: Jossey-Bass, Spring
1997.
Stanley, Linda.
“Writing-to-Learn Assignments: The Journal and the Microtheme.” New
Directions for Community Colleges.” 19. (March 1991): 1-45.
Steffens, H. “Using
Informal Writing in Large History Classes: Helping Students to find
Interest and Meaning in History.” Social Studies. 82: 107-09.
Willingham, D.
“Effective Feedback on Written Assignments.” Teaching of Psychology.
17. 1: 10-13. ERIC EJ409479.
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8.
WHERE CAN YOUR
STUDENTS—AND YOU—GET ONLINE HELP WITH WRITING?
The web is flooded with information about writing for both faculty and
students. You will literally find web sites about web sites and
bibliographies of bibliographies. The modest list below is both
sufficient for those who want to get their feet wet and a starting point
for those who want to swim the channel.
Purdue University’s OWL
http://owl.english.purdue.edu/internet/owls/writing-labs.html
This award-winning
web site is the agreed-upon gold standard in online writing labs (OWL).
While its design is user-friendly, its coverage of writing issues is
both deep and wide. In the section titled “Handouts and Materials for
Students and Teachers” you and your students can search for material by
category: General Writing Concerns; Grammar, Punctuation, and Spelling;
Professional Writing; English as a Second Language; Research and
Documenting Sources; Writing Across the Curriculum; and Practice
Exercises. The site can also be searched for specific handouts—and the
list of topics is nine pages long. The inclusion of practice exercises
makes this site truly useful to the student who is a self-motivated
learner. But it is also a tool you can use in any of the wired
classrooms on RVCC’s campus. (Any of the sites below can be used in a
wired class.) You can guide your students to a specific place on the
site that you want them to explore at home, or you can take the entire
class there as part of a classroom activity on anything from “Using
Commas” to “Conducting a Productive Websearch.” Finally, Purdue’s
comprehensive site also provides links to more than 90 other
OWL’s.
The
Harvard University Writing Center
http://www.fas.harvard.edu/~wricntr/html/tools.htm
It’s
not exactly shocking to find that Harvard has a good online writing lab.
It is especially useful for more advanced writers and/or students in
honors courses concerned with polishing their technique. Their list of
handouts (below) includes sophisticated topics such as “How to Do a
Close Reading” as well as information on introductions, conclusions and
argumentation skills.
Titles
of handouts:
-
How to Read an Assignment
-
Moving from Assignment to Topic
-
How to Do a Close Reading
-
Overview of the Academic Essay: Thesis, Argument and
Counterargument
-
Essay Structure
-
Developing a Thesis
-
Beginning the Academic Essay
-
Outlining
-
Counter-Argument
-
Summary
-
Topic Sentences and Signposting
-
Transitioning: Beware of Velcro
-
How to Write a Comparative Analysis
-
Ending the Essay: Conclusions
-
Revising the Draft
-
Editing the Essay, Part One
-
Editing the Essay, Part Two
-
Tips on Grammar, Punctuation, and Style
Rutgers University
Jack
Lynch’s “Guide to Grammar and Style”
http://andromeda.rutgers.edu/~jlynch/Writing/
Jack
Lynch’s “Guide to Grammar and Style” provides something other sites
overlook: humor. His succinct, idiosyncratic and thoroughly enjoyable
guide is ordered alphabetically from “A, An” through use of “-wise” as a
suffix. The tone of this site is best displayed in his entry under
“Rules”: “There ain't a rule in the language what can't be broke. . . .”
His argument for following them is practical: If you break rules
“without a good reason — by which I mean a reason evident to your
audience — you lose your audience. It's that simple.” Lynch is a
diverting place to travel for a quick look-up or an interesting browse.
The
University of Central Florida’s University Writing Center
http://www.uwc.ucf.edm/
The University Writing Center at the
University of Central Florida has lots of handouts. The section called
Writing Resources has guidance for different kinds of academic writing,
including writing a lab report. The Faculty Resources link contains good
advice on constructing and responding to writing assignments.
The University of North
Carolina at Chapel Hill’s Writing Center
http://www.unc.edu/depts/wcweb/handouts/index.html
The
University of North Carolina at Chapel Hill’s Writing Center is another
good center for handouts on everything from reading assignments to
proofing a final draft. It has solid, discipline-specific advice on
writing and provides extensive links to other Online Writing Centers,
organized by topic. A good place to look for a number of handouts on a
specific topic.
Free
Downloads from Mantex
http://cgi.www.mantex.co.uk
When you arrive at the Mantex site,
click on Free Downloads and then play. They have good information on
Study Skills and an excellent bibliography on Writing Skills. Some of
the stuff is playful, such as the “26 Golden Rules for Writing Well,”
which begins with “Don’t abbrev.” This site’s explanation of plagiarism
is excellent. The student is addressed sympathetically and the finer
points of academic conventions about citation are clearly explained.
For Faculty
rubistar.com
This site allows you
to construct your own rubric or download one from their collection.
The
University of Wisconsin at Milwaukee
http://www.uwm.edu/letsci/edison/wn.html
UWM
provides an annotated bibliography of writing across the disciplines
articles by discipline: Africology, anthropology, art history,
biological sciences, chemistry, communications, economics, foreign
languages, general science, geosciences, history, mass communications,
mathematical sciences, philosophy, physics, psychology and sociology.
For
the RVCC faculty member who is also a graduate student:
The Claremont Graduate University’s Writing
Center
http://www.cgu.edu/pages/726.asp
Claremont Graduate
University’s Writing Center focuses specifically on graduate student
writers and is a good site for those faculty doing writing for their
grad courses. It offers handouts on topics such as writing and
presenting conference papers; taking summary notes; writing literature
reviews, grant proposals, and dissertations. This site also includes an
annotated list of web sites for graduate-level writers, organized by
subject.
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